Like many of you, I watched bits and pieces of the American
coverage of the Queen’s Diamond Jubilee.
All the trappings of royalty are just catnip to us Yanks!
Reading some of the coverage online, I came across the banner
which was displayed on the Queen’s barge during the flotilla on the Thames on
Sunday June 3rd. Created by
artist Ann Carrington, the 10’ by 10’ banner is a red velvet background with
the royal emblems done in buttons, over 500,000 buttons, using 34 miles of
thread!
From the close up picture, you can see the buttons and how
they are placed to give the impressions of depth and shading. All I can say is absolutely magnificent. I love when an artist takes something so
common place as a button and makes a real work of art.
But when I saw the picture, I also thought about the “Pearly
Kings” of London. You know the picture,
the working class London man with a suit covered in buttons…
And I thought what a great inspiration! The real Queen now has her own “Pearly
Banner” (done in gold versus the standard “pearl” buttons). Of course, I couldn’t stop there so thanks
to the Internet (honestly, the greatest invention in my lifetime!), I was able
to learn more about the tradition.
Depending upon which website you read, the tradition stated
with a young London orphan, Henry Croft in the late 1800’s. He noted that the local costermonger’s
(itinerant street vendors) were sewing “pearl” buttons along the seams of their
clothing for pure effect. Henry decided
to smother his entire suit in the button, designing symbols and featuring the
motto “All for Charity”. Other’s soon
followed the tradition until each district of London had their own “Pearlie
King and/or Queen”. The tradition lives
on to this day, being primarily a means to collect monies for various
charities.
So of course, I then had to check Ann Carrington’s site (http://www.anncarrington.co.uk/) and
sure enough, she used the Pearlie Kings as her inspiration! Check out another one of her works below:
Look closely at the picture to see how the depth and proper
shading is achieved. Note how the
forehead and cheekbones are more heavily accented with buttons to achieve the
right look. How the horizontal lines
mimic the printed lines on a real postage stamp. Most beautiful to me is the
eye-how just a few strategically placed buttons on a background of red velvet
can completely convey the essence of an “eye”.
So, I will file this away as another “inspiration”
post-after all, I have to have at least 5,000 buttons just yearning to be
turned into art!

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